No True Scotsman (Part Four): The Place of Duns Scotus in Contemporary Philosophy
III.b.
Scotus and Philosophy
In a quote by Agamben above, Heidegger’s thesis that the
primacy of the will rules over the course of Western metaphysics is also apt,
for Heidegger himself participates in perpetuating a form of the “Scotus
Story.” As S.J. McGrath writes, “the
influence of Scotus on Heidegger, while long a subject of general speculation,
has not yet received a careful study.”[1] In part this has been forgotten due to
neglect of Heidegger’s Habilitationsschrift
written on Scotus (and this in part to taking Heidegger at his own word
that it was a “youthful work lacking direction” but which in fact is shot
through with themes that will come later in his work).[2] “Heidegger as no sympathy for the Thomist analogia entis,” says McGrath, “his
decisive departure from Scotus, the rejection of an infinite mode of being,
does not break with the Scotist project of maintaining a univocal notion of
being.”[3]
In fact, Heidegger’s Habilitationsschrift on Scotus was an “act of defiance,”[4] as
Heidegger used him to rebel against the neo-Thomism that he was schooled
in. Heidegger’s particular portrait of
Scotus was used as a wedge against the neo-Thomists (“the same monster against
which Bernard Lonergan and Karl Rahner raged”[5]). But the wedge swelled from there, cracking
not just the stone edifice of neo-Thomism into which it was placed, but now
with the charge of “onto-theology” Heidegger’s ontology was “intended to break
with every medieval ontology”[6]
and eventually the West as a whole.
This historical context is important for several
reasons. The first is that the Scotist
and Lutheran[7]
heritage of Heidegger’s work leads to the specific nature of the
characterization of the charge of “onto-theology”: namely that it is the
philosophical version of Luther’s cry against scholasticism, or in Heidegger’s
terms the God of onto-theology enters discourse “only insofar as philosophy, of
its own accord, and by its own nature, requires and determines how the deity
enters into it.”[8] But this is redoubled again, in a sense, as
the Lutheran edge cuts even sharper against some of the absurdities of the
neo-Thomism of Heidegger’s own day. As
such, one can see why the pivot of Duns Scotus might be so important to someone
like Milbank, who can claim that the “onto-theological” charge is something
that does not (like Heidegger claims) affect the course of Western tradition as
a whole, but merely a very distinct and temporally parochial subset of it.
One does not need Scotus as such to do this. Those like Merold Westphal have argued that
Heidegger’s critique is not against theistic discourse per se, so much as it is
a critique of using God as a prop or tool to achieve understanding of the world
through theoretical reason.[9] And this without the whole apparatus of the
“Scotus Story.” Nonetheless using the
“Scotus pivot” is an attempt by Milbank (whatever we might think of its
accuracy) to make a precise tool to dislodge the tradition that cumulatively
began a transition that led up into the onto-theological nature of modern
thought. As such a return to Aquinas
against Scotus is seen as a viable path of critique for Milbank, and Radical
Orthodoxy.
Such a move would not be limited to countering
Heidegger. In addition, Gilles Deleuze
is another major philosopher for whom the Scotus Story is significant:
Deleuze’s
appropriation of the medieval concept of univocity is the most obvious
and important example of this
unorthodox use of the Christian theological tradition.The doctrine of the
‘univocity of Being’ was an ontological theory developed in the thirteenth
century by Duns Scotus, following Henry of Ghent, in his magnum opus entitled Opus Oxoniense ,which Deleuze calls ‘the
greatest book of pure ontology’. In the Middle Ages, univocity was a heterodox
position, constantly at the borders of heresy, and had limited currency outside
the Scotistic school (the English word ‘dunce’ is derived from the term of
approbation used to describe the followers of Duns Scotus). The concept has a
rather curious history in Deleuze’s own work. The term was not even mentioned
before 1968, when univocity suddenly became an important theme in almost all of
Deleuze’s writings. It first appears in Expressionism
in Philosophy: Spinoza , where it forms the ‘keystone’ of Deleuze’s
interpretation of Spinoza (even more than the title concept of
‘expression’). It then assumes an even
more prominent role in Difference and
Repetition and in The Logic of Sense, where Deleuze not
only identifies an entire tradition of univocity in the history of philosophy,
running from Duns Scotus (against Thomism) through Spinoza (against
Cartesianism) to Nietzsche (against Hegelianism), but also presents his own
ontology as a univocal ontology, thereby, as it were, identifying himself as
the most recent inheritor of that tradition.[10]
As Smith continues, however: “despite Deleuze’s provocative
claim, there is no ‘tradition’ of univocity in the history of philosophy, apart
from the one he creates: there is hardly a secondary literature on the concept
outside of Scotistic studies.”[11]
For Jean-Luc Marion, the “Scotus Story” (again, this is a
broad term) in relation to “onto-theology” shows up in an interesting
manner. With an in-depth analysis of Descartes’
theology Marion argues that it is actually a combination of three different
strands of incompatible theological argumentation: the idea of God as infinite
in Scotus, the idea of God as perfect from Ockham, and the idea of God as
“self-caused” (causa sui) which is
more obscure in origin and may in fact be the invention of Descartes himself as
the tradition would have balked at a anything—even God—causing itself (though
Marion believes Descartes may have altered the idea from Suarez). “Descartes employs several determinations
that we can no longer confuse once we have identified (even cursorily) the
historical origins of the theological debates in which these determinations
have gained their irreducible singularity.”[12]
According to Marion, Descartes in essence boldly combined
the disagreements of Scotus and Ockham, and internalized them into his own
doctrine of God. But this instability
leads to an oscillation that tries to prioritize the logic of one (infinity) or
the other (perfection). As a fallout to
this, Marion argues Descartes’ successors will pick up on one or another
emphasis within his doctrine of God and run with it, essentially unraveling
Descartes’ unstable synthesis and exploding the concept of God from within.[13]
With a slightly different take—though still utilizing the
Scotus Story by way of Descartes and the general notion of “onto-theology”—Michael
Allen Gillespie in his book Nihilism
Before Nietzsche notes how Descartes’ work is done fundamentally in the
shadow of the voluntarism and nominalism of Ockham.[14] The “I think, therefore I am,” argues
Gillespie can neither be a syllogism (because it would need to import hidden
premises to function, and so not be basic) nor is it an intuition. Rather, as Gillespie’s argument proceeds, it
is a fundamental act of will in which the doubter asserts the will to exist in
a similar manner to Ockham’s voluntarist God.[15] In fact part of his analysis explicitly
agrees with Marion regarding the instability in Descartes’ God, which tends towards
resolution by prioritizing the infinite will.[16]
As the “Scotus Story” (of sorts) continues for Gillespie, he
traces how this concept of will found its way into German Idealism through
Fichte, passed on into Romanticism and Russian Nihilism, and most peculiarly on
to Nietzsche himself:
The postmodern element in Nietzsche’s
thought, however, is in many respects unknowingly premodern, drawing upon the
nominalist notion of will. Dionysius in
this sense is not a new God who rises up to replace the old God who has died,
but that old God, who appears under a new mask.[17]
Continuing this basic idea, Gillespie expands upon it in The Theological Origins of Modernity by
noting more broadly not just how the notion of absolute will was formed, but in
regards to how voluntarism and nominalism changed the metaphysical and
cosmological landscape more generally:
The nominalist revolution was an
ontological revolution that called being itself into question … It …gave rise
to a new ontology, a new logic, and a new conception of man, God, and
nature. All succeeding European thought
has been shaped by this transformation.
While nominalism undermined scholasticism, it was unable to provide broadly
acceptable alternative to the comprehensive view of the world it had destroyed. Some retreat from radical nominalism was thus
probably inevitable. On the basic
ontological point, there was no turning back—all, or almost all succeeding
forms of thought accepted the ontological individualism that nominalism had so
forcefully asserted. With respect to the other elements of
metaphysics, however, there was considerable variation, although these
variations themselves were constrained by the structure of metaphysics itself
[emphasis added]. In fact … succeeding
thinkers focused not on the fundamental ontological question [of the difference
of God from creatures] but on the ontic question of the priority or primacy of
particular realms of being within metaphysica
specialis. The deepest disagreements
in the period between the fourteenth and the seventeenth centuries were thus
not ontological, but ontic, disagreements not about the nature of being but
about which of the three realms of being—the human, the divine, or the
natural—had priority. To put it simply,
post-scholastic thinkers disagreed not about being itself, but about the
hierarchy among the realms of being … Modernity, as we more narrowly understand
it, was the consequence of the attempt to resolve this conflict by asserting
the ontic priority not of man or God but of nature.[18]
In essence Gillespie argues that the dialectic of
determinism and free will are themselves determined theologically as “modernity
came into being as the result of a series of attempts to find a way out of the
crises engendered by the nominalist revolution.”[19] Indeed, although the Enlightenment and the
Scientific Revolution are often represented as the separation of theology or
religion from the rest of life, as a matter of fact “while modern metaphysics
began by turning away from both the human and the divine toward the nature, it
was able to do so only by reinterpreting the human and the divine
naturalistically … In incorporating them in this manner, however, the earlier
conflict between the human and the divine was not resolved but concealed within
the new metaphysical outlook [of naturalism].”[20] As such, in a sense Gillespie agrees with
much of the analysis that occurred in the last section on “Scotus and
Sociology”:
Viewed from this perspective [of
nominalism and voluntarism’s influence] the process of secularization or
disenchantment that has come to be seen as identical with modernity was in fact
something different than it seemed, not the crushing victory of reason over
infamy, to use Voltaire’s famous term, not the long drawn out death of God that
Nietzsche proclaimed, and not the evermore distant withdrawal of the deus absconditus Heidegger points to,
but the gradual transference of divine attributes to human beings (an infinite
human will), the natural world (universal mechanical causality), social forces
(the general will, the hidden hand), and history (the idea of progress,
dialectical development, the cunning of reason).[21]
[1] S.J. McGrath, The
Early Heidegger and Medieval Philosophy: Phenomenology for the God-Forsaken (Washington
D.C.: Catholic University of America Press, 2006), 88.
[2] Ibid., 89.
[3] Ibid., 91.
[4] Ibid., 15.
[5] Ibid., 14.
[6] Ibid., 16.
[7] Ibid., 151-185.
[8] Martin Heidegger, Identity
and Difference trans. Joan Stambaugh (New York: Harper & Row, 1969),
56.
[9] Merold Westphal, Overcoming
Onto-Theology: Toward a Postmodern Christian Faith (New York: Fordham
University Press, 2001), esp. 1-47; 256-285. Cf. 257: “If one were to gather an
understanding of Heidegger’s critique of onto-theology secondhand one might
easily think that it is directed primarily at Augustine and Aquinas, Luther and
Calvin, Pascal and Kierkegaard—against anyone who affirms a personal creator
and redeemer. It is not always
sufficiently noted that [Heidegger’s] paradigms are Aristotle and Hegel and
that the target of his analysis of ‘the onto-theo-logical constitution of
metaphysics’ is a tradition that stretches from Anaximander to Nietzsche, which
isn’t quite the same as the tradition that stretches from Augustine to
Kierkegaard.”
[10] Daniel W. Smith, “The Doctrine of Univocity: Deleuze’s
Ontology of Immanence,” in Mary Bryden, ed., Deleuze and Religion, (London: Routledge, 2000), 168.
[11] Ibid.
[12] Jean-Luc
Marion, “The Essential Incoherence of Descartes’ Definition of Divinity,” in
Amelie Rorty, ed., Essays on Descartes’
Meditations (Berkley: University of California, 1986), 328-329.
[13] For Philip Clayton, The
Problem of God in Modern Thought (Grand Rapids: Eerdman’s Publishing, 2000) as
well the story of Modern philosophical theology “is a story of how two major
strands of pre-modern thought about the divine—the divine as infinite, and the
divine as perfect—became entwined, defined the agenda for modern thought in a
form known as ‘onto-theology’ and then separated
again, perhaps permanently” (xi).
This separation occurs, in Clayton’s analysis, because of a fundamental incoherence: “the two
concepts [infinity and perfection] evidence radically different logics” (117).
[14] Michael Allen Gillespie, Nihilism Before Nietzsche (Chicago: University of Chicago Press,
1995), 1-33.
[15] Ibid., 45.
[16] Ibid., 58.
[17] Ibid., 253.
[18] Michael Allen Gillespie, The Theological Origins of Modernity (Chicago: University of
Chicago, 2009), 16-17.
[19] Ibid., 261.
[20] Ibid., 262.
[21] Ibid., 273.





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